When we talk about the elements of art, we’re really talking about the building blocks that every artwork is made from. Understanding them provides us with one way to analyse art. It’s not the only way, it’s not essential, but it is a good approach.
In my view, planning exciting projects with inspiring artists that engage our students is more important than getting overly concerned with the elements of art. Putting the elements of art first and trying to build something around them can be a dry approach.
Below is a useful list of artists who link to the elements of art. Finding an artist that you find exciting and passing on that enthusiasm to your students, or asking your students to research these artists, could be an exciting start to a project.
(Help me make this list grow by commenting below!)
Line
A line is a continuous mark made on a surface. Lines can be straight, curved, thick, thin, long, short, jagged, or flowing. They can be used to outline, suggest movement, or create detail and texture.
Albrecht Dürer – master of detailed line engravings and woodcuts.
Vince Low – dynamic scribble portraits created with pen.
Bridget Riley – optical illusions created with lines.
Egon Schiele – expressive and emotional contour lines in figure drawing.
Will Smith by Vince Low. Pen on Paper.
Colour
Colour is what we see when light reflects off an object. It includes primary, secondary, and tertiary colours, as well as ideas like warm and cool colours, complementary colours, and colour schemes. Colour can create mood, show emotion, or give emphasis in an artwork.
Alma Thomas – used bright, mosaic-like blocks of colour to create rhythmic, joyful abstract paintings inspired by nature.
Henri Matisse – vibrant, expressive use of colour (especially his cut-outs).
Wassily Kandinsky – abstract colour compositions linked with music and emotion.
Mark Rothko – blocks of colour to create mood and atmosphere.
David Hockney – bright, bold use of colour in landscapes and portraits.
Of course, many of these artists could fall into multiple elements categories.
Tone (or Value)
Tone, sometimes called value, is about how light or dark something appears. Artists use tone to create contrast, to show form, and to give a sense of depth.
Caravaggio – dramatic use of light and dark (chiaroscuro).
Rembrandt – portraits and other artworks with subtle tonal variation.
Georgia O’Keeffe – flower studies with careful tonal shading.
Ansel Adams – black and white photography with strong tonal contrast.
David with the Head of Goliath (c.1606-7) Carravaggio [Oil on Poplar Wood]
Space
Space is the area around and within objects in an artwork. It can be positive space (the subject) or negative space (the background). Artists use techniques such as perspective and overlapping to create the illusion of depth and distance.
Leonardo da Vinci – mastery of perspective in The Last Supper.
MC Escher – playful use of perspective and impossible spaces.
Claude Monet – depth created through atmospheric perspective in landscapes.
Rachel Whiteread – sculptures that explore negative space.
Ascending and Descending (1960) M.C. Escher [Lithograph]
Shape
A shape is a flat, enclosed area created by lines, colours, or textures. Shapes can be geometric (like squares and circles) or organic (like the irregular shapes we find in nature).
Henri Matisse – bold, simplified shapes in his cut-outs.
Keith Haring – bold, playful use of repeated shapes in his figures.
Pablo Picasso (Cubism) – broke objects and figures into angular, overlapping shapes to show multiple viewpoints at once.
Form
Form is like shape, but with three dimensions: height, width, and depth. Forms can be geometric (like cubes and spheres) or organic (like rocks, trees, or the human body). Artists use shading, tone, and perspective to suggest form in two-dimensional art.
Michelangelo – sculptural forms in marble and drawing.
Henry Moore – abstract sculptural forms and drawings exploring the human body.
Louise Bourgeois – expressive, organic forms in sculpture.
Giacometti – elongated sculptural forms exploring human presence.
Barbara Hepworth – simplified organic shapes in sculpture.
Sphere with Inner Form (1963) Barbara Hepworth
Texture
Texture is how something feels, or looks like it would feel, if touched. It can be actual (a rough surface of a sculpture) or implied (marks on paper that look rough or smooth). Texture brings richness and detail to an artwork.
Vincent van Gogh – expressive, thick paint application (impasto).
Anselm Kiefer – rough, layered textures in mixed media paintings.
Eva Hesse – experimental textures in sculpture and installation.
El Anatsui – richly textured wall hangings from bottle tops and metal.
Awake In The Gypsy Camp! (2013) Anslem Kiefer [Mixed Media] CC BY-SA 3.0, via Wikimedia Commons
Popular Elements Art Lessons
Check out some of the elements of art inspired downloads below.
Perspective & Depth
Free Elements Poster
Value Exercise
Elements & Principles Wordsearch
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Please comment below if you would like me to add an artist to one of the categories above.
Sarah Crowther is The Arty Teacher. She is a high school art teacher in the North West of England. She strives to share her enthusiasm for art by providing art teachers around the globe with high-quality resources and by sharing her expertise through this blog.
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This looks useful, thank you.
Hi Sarah, Thanks, I’m glad you have found this useful 🙂